![]() It is for a myriad of reasons, but mostly to preserve what is beautiful and special about the band and have it stay that way.” By 2011, The White Stripes would officially call it a day, stating that the end of the band was “not due to artistic differences or lack of wanting to continue, nor any health issues as both Meg and Jack are feeling fine and in good health. While today, the practice of scrapping tour stops to prioritize mental health has become somewhat commonplace, in the mid-aughts, it felt quietly revolutionary. Later, a statement from the band would announce the cancellation of their fall U.S. “And she said, ‘No, I think this is the last one,’ and just walked away.” “I was like, ‘Oh, you mean of this leg?’” Blackwell recalls now. tour dates, Meg confides to Ben Blackwell, Jack’s nephew and the band’s official archivist, that he’s about to see the final White Stripes show. They appear on countless magazine covers, and Meg is tapped by Marc Jacobs for a 2006 campaign, shot by Juergen Teller.Īnd then, on July 31, 2007, following a celebratory toast before the last show of a series of Southern U.S. Next, they start referring to themselves as brother and sister, record four more studio albums (two of which reach gold status the other two, platinum), collect four Grammys, and land three singles on the Billboard Hot 100 chart. The duo plays a few shows around town, records a couple of albums, heads out of town for a few tours, and then divorces in 2000. PATRICK PANTANOįor those unfamiliar with The White Stripes’ origins and trajectory, here’s a crash course: In the mid- to late 1990s, Jack White asks his then-wife, Meg, to drum a simple beat in their Detroit attic while he plays guitar, sparking creative lightning. Twenty years after the release of Elephant, The White Stripes’ breakout album, the impact of the duo’s drummer is coming into focus. Less than a minute later, she can be seen squirming in her seat across from Charlie Rose, eyes down, whispering a fear of having accidentally cursed (she had not). What can I say?” she’s seen asking at the 1:19-minute mark, in footage pulled from The White Stripes Under Great White Northern Lights, a documentary film that chronicled the band’s 2007 tour of every province in Canada. A few months ago, before the search results under her name were flooded with tributes defending her minimal drumming style against a critical tweet, one of the first links to come up was a YouTube video titled 15 Minutes of Meg White. Meg’s discomfort with interviews is widely known. That said, the content of this most recent response is by no means privileged. Plus, I’m told, she’s agreed to give my plea “some more thought.” It’s thrilling, to say the least. After roughly three years of persistent (yet respectful) inquiry into whether Meg White might be open to talking about her legacy, I’ve inched closer to the inner sanctum. She never liked them.” This message is conveyed to me thirdhand, via the guy who ran the small Detroit label that put out the first White Stripes seven-inches back in 1998, who has spoken with the band’s extremely introverted drummer’s close friend, who apparently has delivered my request to the woman herself. “Meg really doesn’t think she feels up for any interviews.
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